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THE DRAMA OF SOCIAL LIFE
PART 3
SOCIAL
PSYCHOLOGY IN A NEW AGE
Introduction Traditional symbolic interactionist views of the social process maintained that the self was an ongoing product of the reciprocal interaction of humans with significant symbols. According to the tradition of George Herbert Mead, Charles Horton Cooley, W. I. Thomas and Herbert Blumer, the self results from and exists within interactions where the social identities attributed to an individual by others are internalized by that individual as self.In socially appropriate occasions, the social identity which is part of the self system is called forth by definitions of a situation; used to organized situationally appropriate behaviors; and monitored by both individual and significant others. When behavior is inappropriate, inadequate, or otherwise unsatisfactory, both the individual and others react to elicit more acceptable behavior: thus self and society are twinborn.Dramaturgical social psychology developed an important challenge to traditional symbolic interactionism. With the appearance of Goffman's The Presentation of Self in Everyday Life (1959), social psychology in the U.S.A. became sensitized to the difference between a public, performed self and a private undisclosed self.While traditional symbolic interactionism collapsed the two, dramaturgical analysis maintained that there is no necessary relationship between the two: the publicly performed self is not necessarily a reflection of the private self. The real difference between the two selves means that the public self can be falsified or the public self can be separated from the private, adumbrating the detachment of the individual self from the social order and the subversion of the social process.One can note, in Self and Social Organization in Capitalist Society, that the individual self is not always anchored in the social order. While self and society are twin-born in most of human history, a case is made that in capitalist society, self and society are separated. Communication is not jointly created; role statuses belong to the corporation; many social occasions are too brief and fleeting for a social self to be created; a great many encounters are economic in nature rather than social.All this militates against the traditional understandings of symbolic interactional theory about the ways in which self is constituted, presented, and adjusted continuously in some negotiated order.Then, too, people may not have access to the means of production of the self or, if they do, others may own the means of production and set the terms under which one may "be" an engineer, clerk, soldier, student, customer or professor. All this and more is developed in the first essay.Given the opposition between the traditional symbolic interactionist and the dramaturgical views of the self, a number of important questions are raised:Which depiction of the structure of self is the more adequate from an empirical point of view?If individuals in everyday interactions falsify their public presentations of self, under what social and historical circumstances does this occur?If individuals in everyday interactions falsify their public presentations of self, whose social interests does this serve?If individuals are caught up in a social matrix in which the sociology of fraud is engineered with the aid of the best in science and technology, what does this mean for morality and its location in the social order?The essays in this section address these kinds of questions. Much of the work here was done in close cooperation with John F. Welsh whose contributions to the ideas and treatment of topics are inextricably tied up with those of the present author.
The Presentation of Self
The Brain that fills the skull with Schemes must have its humming hive of dreams The tongue that talks, the lungs that shout the thighs that bustle them about, These today are proud in power and lord it in their little hour.
Before this fire of sense decay The smoke of thought blown clean away They leave to ancient night alone, And to the world their harmless bone.
....Housman
This is the land of lost Content I see it shining plain The Happy Highways were I went and Cannot go again.
...A. E. Housman
